Photograph Your Fears
Composition
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Lost in the World Response
1. What is the general premise of the video? The general premise of the video is to showcase how society is too influenced by social media. The main message behind the video is that when people are on their phones too often, you lose social interaction, people become depressed, and no one is truly happy. The video goes to show how when everyone is on their phones, they lose connection between real people and real feelings, and that if you're not paying attention, you may lose many people that are important to you. 2. Is the video effective in conveying it's intended message? Yes, the video is very effective in conveying it's message to the viewers. With many extreme outcomes shown and the emotions expressed by the main character, the viewer feels very compelled to change and use their phones less. The scenes that stood out to me the most were when the girl jumped off the building and when the people were walking right off the world. These scenes really showed how if ...
I think this fear means fear of destruction. If it is that i think you portrayed it very nicely, i like how you blended out the three different skies, it looks really cool. I also like how edited out the computer screens to make it seem corrupt.
ReplyDeleteThe merging of the clouds within the picture is pleasing and adds a feeling of discomfort to the whole. It emphasizes a chaos or uneasiness that supports the topic of fear.
ReplyDeleteThe fear that I think the photo is conveying is accidentally hurting someone close to you. The photo is successful in conveying the fear because it shows the progression of a happy setting becoming darker because of your own error, as displayed on the computer monitor. I love the attention to detail involved in incorporating several images to create a completely new one. One thing I would comment on is placement of the folder on the table, which would look more realistic if it was angled more so along the table, but other than that, it is a wonderful photo.
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